Five centuries in one timeline
Eight writers learners meet first, from Spain and Latin America. Each entry gives the work to start with and how hard it is to read.
Three extracts, word by word
Short passages from works now in the public domain. Choose one; each line has a gloss, audio and a note on what makes it work.
What to read at each level
Climb one rung at a time. A text is at the right level when you understand most sentences on a first reading without a dictionary.
| Level | What to read | Good starting points | On Evolang |
|---|---|---|---|
| A1–A2 | Graded readers | Short texts written for your level, with glosses. | Graded reading |
| B1 | Short poems and song lyrics | Bécquer’s Rimas, Martí’s Versos sencillos. | Extracts above |
| B1–B2 | Modern short stories and children’s classics | Stories by Horacio Quiroga; Platero y yo by Juan Ramón Jiménez. | Idioms |
| B2 | Short novels and plays | Crónica de una muerte anunciada; Lorca’s Bodas de sangre. | The subjunctive |
| C1–C2 | Full novels and classics | Cien años de soledad, Ficciones, then Don Quijote. | Verb tables |
How to read literature in Spanish
Literary texts use the simple past (the preterite) and the imperfect constantly; if a passage feels confusing, the cause is often the switch between them. The story in the past tenses lesson shows how they divide the work.